Portfolio

Social Media Marketing:

• Forbes House Museum (Exhibition: “Opium: The Business of Addiction.”) Facebook, Instagram, Twitter, LinkedIn.
• Women’s Equality Cape Ann (WECANN). Web (WordPress CMS), Facebook.
• Sargent House Museum. Web (WordPress CMS), Facebook, Twitter, YouTube, Pinterest, Instagram, Blogger, LinkedIn.

PR and Copy Writing work: 

• Women’s Equality Cape Ann (WECANN). WECANN Blog entries.
• Sargent House Museum blog entries.
• Event program, poster, flier, and brochure samples:
  

Videos: 

• “Judith Speaks” 2014, program on lawn of Sargent House Museum. Cape Ann TV. Videography, editing.
• Sargent House Museum pictorial tour. Creation.

Project Manager work:

• Project Manager at Trident Gallery, Gloucester. I provided assistance with inventory and digital image management, marketing publications, social media, event planning, and mailings. I liaised with the Gallery’s PR firm and vendors. I worked with the objects in the Trident Gallery collection, and helped organize outreach and programming. Jan. 2014-Apr. 2014
• Project manager, researcher and writer, applications for Montserrat College of Art’s planned Master’s Degree program in Art and Community Leadership. Tasks include market research. Nov. 2012-Sept. 2013.

Committee reports and self-studies I have participated in as writer/editor:

• Researcher and writer, 2012-2015 Montserrat College of Art “Three-year Strategic Planning Report.” August 2012-Oct. 2012.
• Co-editor, Montserrat College of Art  2011 NEASC Decennial Self-study.

Publications that I copy-edited/formatted for publication:

• Breaking New Ground in Art History: Festschrift for Professor Alicia Faxon (ed. Margaret Hanni). New Academia Publishing, Washington, DC. (2014).

Publications that I co-publish/co-edit:

• Open Inquiry Archive: An independent journal of scholarly papers on culture. ISSN 2167-8812. 

A selection of my contributions to various publications:

• Review of Aneta Georgievska-Shine and Larry Silver, Rubens, Velázquez, and the King of Spain. Notes on Early Modern Art, vol. 2, no. 1 (2015): 47-49. 

• “An absolute and entire Art.” Review of Boudewijn Bakker, Landscape and Religion: from Van Eyck to Rembrandt. Sixteenth Century Journal, vol. 44, issue 3 (Fall 2013): 940.

• “Deconstructing Feminine Civility: Counter-Portraits of Élite Women by Jan Steen.” Notes on Early Modern Art, vol. 1, no. 1 (2014): 31-46.

• “The Elephant in the Living Room:  Jan Steen’s Fantasy Interior as Parodic Portrait of the Schoutens.” Aurora: The Journal of the History of Art, vol. XI (December 2010): 65-93.

• “Enchanting the Intellect and the Eye.” Review of Aneta Georgievska-Shine, Rubens and the Archaeology of Myth, 1610-1620:  Visual and Poetic Memory. Aurora: The Journal of the History of Art, vol. XI (December 2010): 115-119.

• “Presence in Absence as an Artistic Mode.” Review of Mia Mochizuki, The Netherlandish Image after Iconoclasm, 1566–1672: Material Religion in the Dutch Golden Age. Aurora: The Journal of the History of Art, vol. X (November 2009): 131-138.

• “The Wise Man Has Two Tongues: Images of the Satyr and the Peasant by Jordaens and Steen.” Myth in History: History in Myth.  Society for Netherlandic History Third Annual Conference Proceedings.  Eds.  Willem Frijhoff and Laura Cruz. E.J. Brill, 2009.

• Catalogue entries in Realism and Invention in the Prints of Albrecht Dürer, The Art Gallery, U.N.H., Durham, New Hampshire, 1995.

I am published online at the following websites:

Open Inquiry Archive.

• “One Flesh…Two (Wise) Fools: Evidence for Artistic Collaboration Between Judith Leyster and Jan Miense Molenaer in Four Festive Paintings.” Open Inquiry Archive, Vol. 1, No. 2 (Winter 2012). http://openinquiryarchive.net/

“For the Record” Exhibition Blogspot.

• “The Golden Age of the ‘City of Peace’ (Madinat al-Salam): Baghdad as Cosmopolis,” http://fortherecordexhibition.blogspot.com/p/perspectives.html, 12/2011.

Bread & Circus Online Magazine.

• “Cindy Sherman: Her ‘History Portrait’ Series as Post-Modern Parody,” Bread and Circus Online Magazine, 7/2009.

HNET Online.

• “Bosch’s Prado Epiphany: The Devil’s Still in the Details.” Review of Debra Strickland, The Epiphany of Hieronymus Bosch (Harvey Miller, 2016), H-NET Low Countries (August 2017).
• “Capturing the Rijksmuseum Reconstruction on Film.” Review of the film “The New Rijksmuseum” (First Run Features, 2015), dir. Oeke Hoogendijk, H-NET Low Countries (July 2016).
• “Wit and Witches in the Art of Jacob de Gheyn II.”  Review of Claudia Swan, Art, Science, and Witchcraft in Early Modern Holland: Jacques de Gheyn II (1565-1629). H-Low Countries (January 2007).